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The Canary Islands Declaration on artistic and cultural mobility

On 19th and 20th June 2014 six independent* cultural mobility funds from different parts of the world met in Santa Cruz de Tenerife (Canary Islands).

 

The idea of the meeting was initiated by the Roberto Cimetta Fund, in partnership with the Association of Cultural Managers of the Canary Islands. The Government of the Island of Tenerife and the Government of the Canary Islands backed the initiative as well as the Gulbenkian Foundation.

 

The international mobility actors present were the Safar Fund (Arab world), Art Moves Africa (Africa), CEC ArtsLink (USA), the Russian Theatre Union (Russia), Arts Network Asia (Asia) and the Roberto Cimetta Fund (Euro-Arab zone). All these organisations:

 

1)            Underline that artistic and cultural mobility is an integral part of cultural rights as stated in international treaties of human rights and should be considered a public responsibility.

 

2)            Assert that mobility contributes to artists’ and cultural operators’ freedom of expression and freedom of choice.

 

3)            Aim to provide travel grants for individual artists and cultural activists as a way of protecting the diversity of cultural and artistic expression.

 

4)            Affirm that facilitating face to face encounters is necessary to set up long term partnerships or alliances based on trust, reciprocity and fair exchange.

 

5)            Believe that supporting the mobility of artists and cultural operators serves the public interest and local development.

 

6)            Believe that artistic and cultural mobility provides creative learning opportunities that are crucial for the healthy growth of individuals and communities.

 

7)            Consider that in addition to long-distance mobility, local and regional mobility initiatives (intercity, regional, cross-border) contribute to enhancing a shared sense of humanity.

 

8)            Seek to address global imbalances, be they artistic, geographic or directional, and the many obstacles to mobility by enabling connections between cultural practitioners and the wider community.

 

 

To advance this agenda the above-mentioned organisations have agreed to work as a coalition and advocate and encourage the dissemination of these principles.

 

Independent mobility funds are re-granting organisations set up by cultural operators. These funds re-grant funding received from private foundations or public institutions to individual artists and cultural operators.

 



Roberto Cimetta Fund

c/o ONDA
13 bis rue Henri Monnier
75009 Paris - France

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